UNDOGMATISCH

MADAME E. Réintérprétations et Remixes: PLAISIR par Ken Karter  - Mirco Magnani + Ernesto Tomasini Undogmatisch has published that onesided 12” on a very limited edition of 50 copies and on digital. The original version of Plasir par Ken Karter is taken from the album Madame E. by Mirco Magnani + Ernesto Tomasini (UNDOGMA1), a free reinterpretation of Georges Bataille’s short novel “Madame Edwarda” (published in France in 1941), in which Eroticism, Religion and Death are interlaced, music was composed by Mirco Magnani then with Ernesto Tomasini they turned it into songs by adding vocal melodies. That rèintèrprètation made for that series is interpretated by Ken Karter (Kript Records) we can say that it is more about a meeting between the two artists rather than a simple request to remix a track. In Plasir par Ken Karter, subsonic soundscapes are able to expand and transform themselves melting with the passionate mood of the original track, bringing frequencies to experience ne...

CRONOVISIONE ITALIANA - Carlo Domenico Valyum     CRONOVISIONE ITALIANA's concept is a space-time journey by the researcher, experimenter, inventor, Carlo Domenico Valyum, through the TV media since its invention. Graduated in engineering and born in Turin at the end of the nineteenth century. Mirco Magnani and Valentina Bardazzi are the conductors and curators of that research on sound and video reprocess, presenting a creation from reanalysing excerpts of cult Italian television broadcasts in a collection of nine audio/visual tracks. That is Carlo Domenico Valyum’s CRONOVISIONE ITALIANA. …“After years of constant work on the development of his machines in February of '37, Carlo Domenico manages to intercept anomalous audio/video electromagnetic waves. This important finding will be all that remains as a real testimony to his enormous work as a researcher and inventor. No other documents or inventions, to provide evidence of Carlo Domenico's realisations, have so far com...

MADAME E. - Mirco Magnani + Ernesto Tomasini "Madame E." is a musical setting of Georges Bataille’s “Madame Edwarda”, a short novel that interlaces themes of eroticism, religiosity and death, and was written under the pseudonym Pierre Angelique in 1941, during the occupation of Paris. Composer Mirco Magnani wrote eleven electronic pieces and presented them to actor/singer Ernesto Tomasini. They turned them into songs by adding vocal melodies and together they produced a libretto based on Bataille’s French text. The result of their dynamic interpretation is a hypnotically spellbinding performance where the audience is transported through worlds – ancient and new – and where Tomasini’s haunting falsetto conveys the tormented emotions in Bataille’s work and becomes the instrument that articulates the writer’s famously obscure themes. The experimental operatic performance captures the  atmosphere of heightened human passion, reminiscent of opera seria and revisited through hazy a...